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Folk Bitch Trio: Unapologetic Truth-Tellers and the Harmonies That Heal

In a city known for its rich tapestry of musical talent, Folk Bitch Trio has emerged from the eclectic streets of Naarm/Melbourne with a sound that’s both intimate and expansive. Gracie Sinclair, Jeanie Pilkington, and Heide Peverelle—each a force of creativity in their own right—have found a way to merge their voices into something that transcends the sum of its parts. What began as a casual, almost accidental collaboration between friends has blossomed into a musical project that’s quickly gaining momentum, drawing comparisons to some of Australia’s most celebrated indie acts.

Their latest single, “God’s A Different Sword,” is a testament to the Trio’s knack for blending vulnerability with a quiet, assured strength. The track is an exploration of breaking free from self-destructive patterns, even as it indulges in the bittersweet comfort of those habits one last time. The Trio explains:

The lyrics are exasperated and questioning, so we wanted them to be held by instrumentation that is optimistic and open. That balance—between the weight of the words and the lightness of the melody—is where Folk Bitch Trio thrives. The song’s creation during a brief stop in Auckland, Aotearoa, while supporting Ben Howard, only adds to its sense of spontaneity and raw emotion.

Folk Bitch Trio’s rise in the local scene has been nothing short of meteoric. Sharing stages with the likes of King Gizzard and the Lizard Wizard, Alex G, Julia Jacklin, and Courtney Barnett, they’ve proven time and again that they can hold their own among giants. Their live performances are more than just shows—they’re communal experiences, where the audience is invited into the Trio’s world of three-part harmonies that resonate deeply with anyone lucky enough to be in the room.