Embrace the Damage: New Tracks That Hit Where It Hurts

Hanna Kantor

Some songs feel like they were made for nights you don’t tell your therapist about. These three belong to that club. Loud hearts, big feelings, and zero apologies.

 

Most Personal — “Most Personal”

Texas roots, LA chaos, and zero hesitation. Most Personal introduce themselves with a debut that feels like biting into a live wire. Their self-titled track is a gleeful collision of hyperpop sparkle and something darker lurking underneath. They call it gremlin-pop: wild, unfiltered, and impossible to housebreak. A new band with a sound that refuses to behave and that’s exactly the point.

willoh – „Buckshot”


Missouri born and bedroom raised, willoh has been building her own universe from secondhand gear and McDonalds paychecks. Nothing about her process is ordinary and that is exactly why it works. On new single “Buckshot” she fires off a collision of sounds that should not coexist, yet somehow snap together with magnetic force. Her voice floats like snowfall over unruly production, turning vulnerability into something volatile and thrilling. At just nineteen she has already found a signature that feels like alchemy: tender, restless, impossible to pin down. “Buckshot” hits fast, leaves a mark, and dares you not to press play again.

CATBEAR – „It’s okay”

Brighton and South London alt-pop duo CATBEAR return with It’s Okay a soaring new single celebrating self-acceptance and queer visibility. Written, recorded and produced by Zoe Konez, the track rises from introspective verses into euphoric synth-pop choruses, rejecting compromise and embracing pride: “You don’t have to prove yourself to anyone.” Inspired by conversations about queer identity in your late 30s and beyond, It’s Okay is a powerful reminder to take up space and thrive.