Menu Zamknij

Alma Jette’s I Found A Reason Debut Is a Cinematic Journey Through Fire and Heartache

It starts in the dark, and you’re there—eyes locked on a velvet curtain as it pulls back, revealing not just a stage but the sprawling Texas horizon beneath a blanket of stars. I Found A Reason, the debut album from Alma Jette, opens with an instrumental overture that does more than set the tone; it situates you in an expansive, aching landscape. This is Texas, sure, but it’s also the inner terrain of Mary Bryce, the artist behind Alma Jette. We move through her scenes—abandoned bungalows, fire-ravaged homes, and tender memories—until we arrive back at the stage, changed. It’s a musical theater of the soul, and Bryce is the showrunner.

Born out of the surreal stillness of the pandemic, I Found A Reason emerged in an old, crumbling Austin bungalow, the kind of place where time doesn’t just stop—it stretches and warps. For Bryce, who grew up in Austin’s eclectic music scene, the isolation offered space to craft a sweeping, intimate debut. The ten tracks on the album, co-written and recorded to tape with guitarist and producer Jake Miles, offer a sonic landscape as vast as the Texas sky, yet filled with personal nooks and crannies where love, loss, and resilience reside. Bryce’s inspiration draws from the likes of Cate Le Bon’s atmospheric pop and Constantin Brâncuși’s minimalist sculptures, but it’s her lived experience that imbues the album with an aching authenticity.

Bryce’s love affair with music—and Miles—is central to this narrative. Recorded during their romantic relationship, I Found A Reason initially feels like a love letter, steeped in intimacy and devotion. On tracks like “Demons,” where Bryce paints a picture of dancing in the kitchen to Smokey Robinson’s “Ooo Baby Baby,” the sweetness is undeniable. “Do You Remember” follows with a piano-soaked ballad reflecting on early love, simple and nostalgic. At first glance, it’s easy to label these as love songs. But scratch the surface, and they reveal a deeper story—one of heartbreak.

Then there’s “Icarus,” the album’s emotional apex. It’s a gut-punch of a track that explores not just a failed relationship but the tantalizing possibilities that come with love. Bryce sings about future plans—love, kids, trust—that never quite take flight, like waxen wings too close to the sun. The song’s bridge is a slow burn, alluding to those doomed wings, and the outro leaves us with a chilling truth: “Love is the balm / Love is the wound / The sharpest knife / The silver spoon.” It’s a stark realization that love, for all its beauty, carries an inherent weight of pain.

Alma Jette’s I Found A Reason isn’t static; it’s a testament to life’s ability to shape-shift, to devastate, to heal. By the time Bryce sings the album’s final plea—“Come, come, come to me”—we are ready to follow. Because this is more than just a record. It’s a journey, and we’re better for having taken it.