Iceberg made out of a plastic bag – most of us can recall this image. It’s the cover of the issue of National Geographic focused on the topic of plastics in the environment. “Plastics aren’t inherently bad. It’s what we do, or don’t do, with them that counts”, wrote marine biologist Sylvia Earle, and Laura Parker’s article asks the question of whether we can enjoy the benefits of plastic and preserve the environment.
The same question became the starting point for the collection of fabric prints and garments titled “100% HUMAN MADE”, by Sandra Magdalena Dąbrowska.
The premise was to observe, analyse and recreate, through the means of design language, the characteristics of single-use plastic objects. The ones we use in our daily lives and the significance of which we are rediscovering right now, in the pandemic reality of sterility and takeout food. The layouts inspired by plastic intended to show the wide range of its properties. Various textures (smooth and shiny as well as those with a clear texture smooth and shiny as well as those with a clear texture irregularly refracting light), colours (a wide range of colours – saturated, pastel and neon), transparency (from transparent to non-translucent) or scales (from real size to scaling) were used in the creation of six fabric print designs and four garment designs, constituting a coherent collection. Such a wide range of aesthetic measures allowed the author to create both unique and seamless repeating prints and use them in the clothing collection. To reflect the nature of single-use plastic items, that were direct source of inspiration, the forms of clothing go beyond the body, are voluminous and scaled up.
Techniques used include fabric manipulation by wrinkling, stitching and pulling with a rubber band. The colours are saturated, some of them even neon. The same colour palette is used in sewing accessories, such as rubber bands or stoppers. Since the seas and oceans play a key role in the discussion on environmental pollution with plastic waste, the image photo shoot was organised on the beach on the Baltic Sea. Sandra Magdalena Dąbrowska chose this scenery to be consistent with the theme of the entire collection. Both the set design, the concept of the shoot and the photos themselves are by the author herself. Samuel Sadiku, a model from Nigeria, was posing in this shoot. His participation in the project emphasises the global nature of the represented problem.